Tantric Reality

Tantra Yoga Kosas - AM 02

आत्मा त्वं गिरिजा मतिः सहचराः प्राणाः शरीरं गृहं पूजा ते विषयोपभोगरचना निद्रा समाधिस्थितिः।
सञ्चारः पदयोः प्रदक्षिणविधिः स्तोत्राणि सर्वा गिरो यद्यत्कर्म करोमि तत्तदखिलं शम्भो तवाराधनम्॥

Ātmā tvaṃ Girijā matiḥ sahacarāḥ prāṇāḥ śarīraṃ gṛham
Pūjā te viṣayopabhoga-racanā nidrā samādhi-sthitiḥ |
Sañcāraḥ padayoḥ pradakṣiṇa-vidhiḥ stotrāṇi sarvā giraḥ
Yad-yat karma karomi tat-tad-akhilaṁ Śambho tavārādhanam ||

You (tvam) (are) the Self (ātmā) and Girijā –an epithet of Pārvatī, Śiva’s wife, meaning “mountain-born”– (girijā) (is) the intelligence (matiḥ). The vital energies (prāṇāḥ) (are Your)companions (sahacarāḥ). The body (śarīram) (is Your) house (gṛham). Worship (pūjā) of You (te) is prepared (racanā) with the objects (viṣaya) (known as sensual) enjoyments (upabhoga). Sleep (nidrā) (is Your) state (sthitiḥ) of Samādhi –i.e. perfect concentration or absorption– (samādhi). (My) wandering (sañcāraḥ) (is) the ceremony (vidhiḥ) of circumambulation from left to right (pradakṣiṇa) of (Your) feet (padayoḥ) –this act is generally done as a token of respect–. All (sarvāḥ) (my) words (giraḥ) (are) hymns of praise (of You) (stotrāṇi). Whatever (yad yad) action (karma) I do (karomi), all (akhilam) that (tad tad) is adoration (ārādhanam) of You (tava), oh Śambhu — an epithet of Śiva meaning “beneficent, benevolent”.

This Self is an embodiment of the Light of Consciousness; it is Śiva, free and autonomous. As an independent play of intense joy, the Divine conceals its own true nature [by manifesting plurality], and may also choose to reveal its fullness once again at any time. All that exists, throughout all time and beyond, is one infinite divine Consciousness, free and blissful, which projects within the field of its awareness a vast multiplicity of apparently differentiated subjects and objects: each object an actualization of a timeless potentiality inherent in the Light of Consciousness, and each subject the same plus a contracted locus of self-awareness. This creation, a divine play, is the result of the natural impulse within Consciousness to express the totality of its self-knowledge in action, an impulse arising from love. The unbounded Light of Consciousness contracts into finite embodied loci of awareness out of its own free will. When those finite subjects then identify with the limited and circumscribed cognitions and circumstances that make up this phase of their existence, instead of identifying with the transindividual overarching pulsation of pure Awareness that is their true nature, they experience what they call “suffering.” To rectify this, some feel an inner urge to take up the path of spiritual gnosis and yogic practice, the purpose of which is to undermine their misidentification and directly reveal within the immediacy of awareness the fact that the divine powers of Consciousness, Bliss, Willing, Knowing, and Acting comprise the totality of individual experience as well – thereby triggering a recognition that one’s real identity is that of the highest Divinity, the Whole in every part. This experiential gnosis is repeated and reinforced through various means until it becomes the nonconceptual ground of every moment of experience, and one’s contracted sense of self and separation from the Whole is finally annihilated in the incandescent radiance of the complete expansion into perfect wholeness. Then one’s perception fully encompasses the reality of a universe dancing ecstatically in the animation of its completely perfect divinity.”


Gnostic Semiotics. Thought of the Day 63.0


The question here is what is being composed? For the deferment and difference that is always already of the Sign, suggests that perhaps the composition is one that lies not within but without, a creation that lies on the outside but which then determines – perhaps through the reader more than anything else, for after all the meaning of a particular sign, be it a word or anything else, requires a form of impregnation by the receiver – a particular meaning.

Is there any choice but to assume a meaning in a sign? Only through the simulation, or ‘belief’ if you prefer (there is really no difference in the two concepts), of an inherent meaning in the sign can any transference continue. For even if we acknowledge that all communication is merely the circulation of empty signifiers, the impregnation of the signified (no matter how unconnected it may be to the other person’s signified) still ensures that the sign carries with it a meaning. Only through this simulation of a meaning is circulation possible – even if one posits that the sign circulates itself, this would not be possible if it were completely empty.

Since it is from without (even if meaning is from the reader, (s)he is external to the signification), this suggests that the meaning is a result, a consequence of forces – its signification is a result of the significance of various forces (convention, context, etc) which then means that inherently, the sign remains empty; a pure signifier leading to yet another signifier.

The interesting element though lies in the fact that the empty signifier then sucks the Other (in the form of the signified, which takes the form of the Absolute Other here) into it, in order to define an existence, but essentially remains an empty signifier, awaiting impregnation with meaning from the reader. A void: always full and empty or perhaps (n)either full (n)or empty. For true potentiality must always already contain the possibility of non-potentiality. Otherwise there would be absolutely no difference between potentiality and actualization – they would merely be different ends of the same spectrum.

Thermodynamics of Creation. Note Quote.


Just like the early-time cosmic acceleration associated with inflation, a negative pressure can be seen as a possible driving mechanism for the late-time accelerated expansion of the Universe as well. One of the earliest alternatives that could provide a mechanism producing such accelerating phase of the Universe is through a negative pressure produced by viscous or particle production effects. The viscous pressure contributions can be seen as small nonequilibrium contributions for the energy-momentum tensor for nonideal fluids.

Let us posit the thermodynamics of matter creation for a single fluid. To describe the thermodynamic states of a relativistic simple fluid we use the following macroscopic variables: the energy-momentum tensor Tαβ ; the particle flux vector Nα; and the entropy flux vector sα. The energy-momentum tensor satisfies the conservation law, Tαβ = 0, and here we consider situations in which it has the perfect-fluid form

Tαβ = (ρ+P)uαuβ − P gαβ

In the above equation ρ is the energy density, P is the isotropic dynamical pressure, gαβ is the metric tensor and uα is the fluid four-velocity (with normalization uαuα = 1).

The dynamical pressure P is decomposed as

P = p + Π

where p is the equilibrium (thermostatic) pressure and Π is a term present in scalar dissipative processes. Usually, it is associated with the so-called bulk pressure. In the cosmological context, besides this meaning, Π can also be relevant when particle number is not conserved. In this case, Π ≡ pc is called the “creation pressure”. The bulk pressure,  can be seen as a correction to the thermostatic pressure when near to equilibrium, thus, it should be always smaller than the thermostatic pressure, |Π| < p. This restriction, however, does not apply for the creation pressure. So, when we have matter creation, the total pressure P may become negative and, in principle, drive an accelerated expansion.

The particle flux vector is assumed to have the following form

Nα = nuα

where n is the particle number density. Nα satisfies the balance equation Nα = nΓ, where Γ is the particle production rate. If Γ > 0, we have particle creation, particle destruction occurs when Γ < 0 and if Γ = 0 particle number is conserved.

The entropy flux vector is given by

sα = nσuα

where σ is the specific (per particle) entropy. Note that the entropy must satisfy the second law of thermodynamics sα ≥ 0. Here we consider adiabatic matter creation, that is, we analyze situations in which σ is constant. With this condition, by using the Gibbs relation, it follows that the creation pressure is related to Γ by

pc = − (ρ+p)/3H Γ

where H = a ̇/a is the Hubble parameter, a is the scale factor of the Friedmann-Robertson-Walker (FRW) metric and the overdot means differentiation with respect to the cosmic time. If σ is constant, the second law of thermodynamics implies that Γ ≥ 0 and, as a consequence, particle destruction (Γ < 0) is thermodynamically forbidden. Since Γ ≥ 0, it follows that, in an expanding universe (H > 0), the creation pressure pc cannot be positive.

Biogrammatic Vir(Ac)tuality. Note Quote.

In Foucault’s most famous example, the prison acts as the confluence of content (prisoners) and expression (law, penal code) (Gilles Deleuze, Sean Hand-Foucault). Informal Diagrams are proliferate. As abstract machines they contain the transversal vectors that cut across a panoply of features (such as institutions, classes, persons, economic formation, etc), mapping from point to relational point, the generalized features of power economies. The disciplinary diagram explored by Foucault, imposes “a particular conduct upon a particular human multiplicity”. The imposition of force upon force affects and effectuates the felt experience of a life, a living. Deleuze has called the abstract machine “pure matter/function” in which relations between forces are nonetheless very real.

[…] the diagram acts as a non-unifying immanent cause that is co-extensive with the whole social field: the abstract machine is like the cause of the concrete assemblages that execute its relations; and these relations between forces take place ‘not above’ but within the very tissue of the assemblages they produce.

The processual conjunction of content and expression; the cutting edge of deterritorialization:

The relations of power and resistance between theory and practice resonate – becoming-form; diagrammatics as praxis, integrates and differentiates the immanent cause and quasi-cause of the actualized occasions of research/creation. What do we mean by immanent cause? It is a cause which is realized, integrated and distinguished in its effect. Or rather, the immanent cause is realized, integrated and distinguished by its effect. In this way there is a correlation or mutual presupposition between cause and effect, between abstract machine and concrete assemblages

Memory is the real name of the relation to oneself, or the affect of self by self […] Time becomes a subject because it is the folding of the outside…forces every present into forgetting but preserves the whole of the past within memory: forgetting is the impossibiltiy of return and memory is the necessity of renewal.


The figure on the left is Henri Bergson’s diagram of an infinitely contracted past that directly intersects with the body at point S – a mobile, sensorimotor present where memory is closest to action. Plane P represents the actual present; plane of contact with objects. The AB segments represent repetitive compressions of memory. As memory contracts it gets closer to action. In it’s more expanded forms it is closer to dreams. The figure on the right extrapolates from Bergson’s memory model to describe the Biogrammatic ontological vector of the Diagram as it moves from abstract (informal) machine in the most expanded form “A” through the cone “tissue” to the phase-shifting (formal), arriving at the Strata of the P plane to become artefact. The ontological vector passes through the stratified, through the interval of difference created in the phase shift (the same phase shift that separates and folds content and expression to move vertically, transversally, back through to the abstract diagram.)

A spatio-temporal-material contracting-expanding of the abstract machine is the processual thinking-feeling-articulating of the diagram becoming-cartographic; synaesthetic conceptual mapping. A play of forces, a series of relays, affecting a tendency toward an inflection of the informal diagram becoming-form. The inflected diagram/biogram folds and unfolds perception, appearances; rides in the gap of becoming between content and expression; intuitively transduces the actualizing (thinking, drawing, marking, erasing) of matter-movement, of expressivity-movement. “To follow the flow of matter… is intuition in action.” A processual stage that prehends the process of the virtual actualizing;

the creative construction of a new reality. The biogrammatic stage of the diagrammatic is paradoxically double in that it is both the actualizing of the abstract machine (contraction) and the recursive counter-actualization of the formal diagram (détournement); virtual and actual.

It is the event-dimension of potential – that is the effective dimension of the interrelating of elements, of their belonging to each other. That belonging is a dynamic corporeal “abstraction” – the “drawing off” (transductive conversion) of the corporeal into its dynamism (yielding the event) […] In direct channeling. That is, in a directional channeling: ontological vector. The transductive conversion is an ontological vector that in-gathers a heterogeneity of substantial elements along with the already-constituted abstractions of language (“meaning”) and delivers them together to change. (Brian Massumi Parables for the Virtual Movement, Affect, Sensation)

Skin is the space of the body the BwO that is interior and exterior. Interstitial matter of the space of the body.


The material markings and traces of a diagrammatic process, a ‘capturing’ becoming-form. A diagrammatic capturing involves a transductive process between a biogrammatic form of content and a form of expression. The formal diagram is thus an individuating phase-shift as Simondon would have it, always out-of-phase with itself. A becoming-form that inhabits the gap, the difference, between the wave phase of the biogrammatic that synaesthetically draws off the intermix of substance and language in the event-dimension and the drawing of wave phase in which partial capture is formalized. The phase shift difference never acquires a vectorial intention. A pre-decisive, pre-emptive drawing of phase-shifting with a “drawing off” the biogram.


If effects realize something this is because the relations between forces or power relations, are merely virtual, potential, unstable vanishing and molecular, and define only possibilities of interaction so long as they do not enter a macroscopic whole capable of giving form to their fluid manner and diffuse function. But realization is equally an integration, a collection of progressive integrations that are initially local and then become or tend to become global, aligning, homogenizing and summarizing relations between forces: here law is the integration of illegalisms.


Quantum Music

Human neurophysiology suggests that artistic beauty cannot easily be disentangled from sexual attraction. It is, for instance, very difficult to appreciate Sandro Botticelli’s Primavera, the arguably “most beautiful painting ever painted,” when a beautiful woman or man is standing in front of that picture. Indeed so strong may be the distraction, and so deep the emotional impact, that it might not be unreasonable to speculate whether aesthetics, in particular beauty and harmony in art, could be best understood in terms of surrogates for natural beauty. This might be achieved through the process of artistic creation, idealization and “condensation.”


In this line of thought, in Hegelian terms, artistic beauty is the sublimation, idealization, completion, condensation and augmentation of natural beauty. Very different from Hegel who asserts that artistic beauty is “born of the spirit and born again, and the higher the spirit and its productions are above nature and its phenomena, the higher, too, is artistic beauty above the beauty of nature” what is believed here is that human neurophysiology can hardly be disregarded for the human creation and perception of art; and, in particular, of beauty in art. Stated differently, we are inclined to believe that humans are invariably determined by (or at least intertwined with) their natural basis that any neglect of it results in a humbling experience of irritation or even outright ugliness; no matter what social pressure groups or secret services may want to promote.

Thus, when it comes to the intensity of the experience, the human perception of artistic beauty, as sublime and refined as it may be, can hardly transcend natural beauty in its full exposure. In that way, art represents both the capacity as well as the humbling ineptitude of its creators and audiences.

Leaving these idealistic realms and come back to the quantization of musical systems. The universe of music consists of an infinity – indeed a continuum – of tones and ways to compose, correlate and arrange them. It is not evident how to quantize sounds, and in particular music, in general. One way to proceed would be a microphysical one: to start with frequencies of sound waves in air and quantize the spectral modes of these (longitudinal) vibrations very similar to phonons in solid state physics.

For the sake of relating to music, however, a different approach that is not dissimilar to the Deutsch-Turing approach to universal (quantum) computability, or Moore’s automata analogues to complementarity: a musical instrument is quantized, concerned with an octave, realized by the eight white keyboard keys typically written c, d, e, f, g, a, b, c′ (in the C major scale).

In analogy to quantum information quantization of tones is considered for a nomenclature in analogy to classical musical representation to be further followed up by introducing typical quantum mechanical features such as the coherent superposition of classically distinct tones, as well as entanglement and complementarity in music…..quantum music

Yantra + Yi-Globe = Yi-Yantra. Note Quote.

The lower and the upper semicircles of the Yi-globe,



where the hexagrams are shown in plane, best serve for direct comparison. There, the structural features common with the yantras are clearly visible: the arrangement of the hexagrams around the center, the concentric circles embedded into one another, and the perfect balance and symmetry.

The analogy between the Yi-globe and the yantras can be recognized in almost every formal detail, if the Chamunda-yantra (Yantra literally means “support” and “instrument”. A Yantra is a geometric design acting as a highly efficient tool for contemplation, concentration and meditation carrying spiritual significance) is taken as an example


The similarity between the two symbols is still more complete with respect to the metaphysical contents. Yantras are the symbols of deities, whereby one part represents a god (generally, a goddess) itself, while the other part stands for the cosmic activity (function) attributed to the deity and the power manifested in the latter; thus actually, a yantra symbolizes the whole universe as well. The power of the yantras lies in the concentrated visualization – completed with the vibration of the associated mantras – capable even in itself of raising and directing cosmic energies into the human psyche, whereby man merges into the deity in his mind and, at last, becomes one with the universe, the cosmic wholeness.

When the properties of the two symbols are analyzed, the following cosmological analogies between the Yi-globe and the yantras are found


The comparison clearly reveals that the Yi-globe and the yantras represent the same spiritual content and that most of their formal elements are identical as well. Accordingly, it is fully justified to take the Yi-globe as a special yantra.

Figure below demonstrates how easily the Yi-globe transforms into the form of a yantra. Since this yantra perfectly reflects all the connotations of the Yi-globe, its name is Yi-yantra.


On the petals (or other geometrical elements) of the yantras, mantras are written. On the Yi-yantra, the hexagrams replace the mantras at the corresponding places. (This replacement is merely formal here, since the function of the mantras manifests only when they are expressed in words.)

Based on the exposed analysis, the connotations of the individual geometrical elements in the Yi-yantra are as follows:

  • The two circlets in the center stand for the two signs of Completion, representing the Center of the World, the starting point of creation, and at the same time the place of final dissolution.
  • The creative forces, which are to give birth to the macrocosm and microcosm, emanate from the center. This process is represented by the hexagon.
  • The eight double trigrams surrounding the hexagon represent the differentiated primal powers arranged according to the Earlier Heaven. The two squares show that they already embrace the created world, but only in inherent (i.e., not manifested) form.
  • The red circle around the squares unites the ten hexagrams on the axis of the Yi-globe. The parallel blue circle is level I of the Yi-globe, whereto the powers of the Receptive extend, and wherefrom changes (forces) direct outwards in the direction of level II. The six orange petals of the lotus (the six hexagrams) show these directions.
  • The next pair of the orange and blue circles, and the twelve orange petals with the twelve hexagrams stand for levels II.
  • The next circle contains eighteen orange petals, representing level III. At its outer circle, the development (evolution) ends. On level III, the golden petals show the opposite direction of the movement.
  • From here, the development is directed inwards (involution). The way goes through levels IV and V, to the final dissolution in the Creative in the Center.
  • The square surrounding the Yi-globe represents the external existence; its gates provide access towards the inward world. The square area stands for the created world, shown by the trigrams indicated therein and arranged according to the Later Heaven.

Knowledge Within and Without: The Upanishadic Tradition (1)


All perceptible matter comes from a primary substance, or tenuity beyond conception, filling all space, the akasha or luminiferous ether, which is acted upon by the life giving Prana or creative force, calling into existence, in never-ending cycles all things and phenomena – Nikola Tesla

Teilhard de Chardin:

In the eyes of the physicist, nothing exists legitimately, at least up to now, except the without of things. The same intellectual attitude is still permissible in the bacteriologist, whose cultures (apart from substantial difficulties) are treated as laboratory reagents. But it is still more difficult in the realm of plants. It tends to become a gamble in the case of a biologist studying the behavior of insects or coelenterates. It seems merely futile with regard to the vertebrates. Finally, it breaks down completely with man, in whom the existence of a within can no longer be evaded, because it is a subject of a direct intuition and the substance of all knowledge. It is impossible to deny that, deep within ourselves, “an interior” appears at the heart of beings, as it were seen through a rent. This is enough to ensure that, in one degree or another, this “interior” should obtrude itself as existing everywhere in nature from all time. Since the stuff of the universe has an inner aspect at one point of itself, there is necessarily a double to its structure, that is to say in every region of space and time-in the same way for instance, as it is granular: co-extensive with their Without, there is a Within to things.

Both Indian thought and modern scientific thought accept a fundamental unity behind the world of variety. That basic unitary reality evolves into all that we see around us in the world. This view is a few thousand years old in India; We find it in the Samkhyan and Vedantic schools of Indian thought; and they expound it very much on the lines followed by modern thought. In his address to the Chicago Parliament of Religions in 1893, Vivekananda said:

All science is bound to come to this conclusion in the long run, Manifestation and not creation, is the word of science today, and the Hindu is only glad that what he has been cherishing in his bosom for ages is going to be taught in more forcible language, and with further light from the latest conclusions of science.

The Samkhyan school uses two terms to represent Nature or Pradhana: Prakrti denoting Nature in its unmodified state, and Vikrti denoting nature in its modified state. The Vedanta similarly speaks of Brahman as the inactive state, and Maya or Shakti as the active state of one and the same primordial non-dual reality. But the Brahman of the Vedanta is the unity of both the spiritual and the non-spiritual, the non-physical and the physical aspects of the universe.

So as the first answer to the question, ‘What is the world?’ we get this child’s answer in his growing knowledge of the discrete entities and events of the outer world and their inter-connections. The second answer is the product of scientific thought, which gives us the knowledge of the one behind the many. All the entities and events of the world are but the modifications or evolutions of one primordial basis reality, be it nature, space- time or cosmic dust.

Although modern scientific thought does not yet have a place for any spiritual reality or principle, scientists like Chardin and Julian Huxley are trying to find a proper place for the experience of the spiritual in the scientific picture of the universe. When this is achieved, the scientific picture, which is close to Vedanta already, will become closer still, and the synthesis of the knowledge of the ‘without’ and the ‘within’ of things will give us the total view of the universe. This is wisdom according to Vedanta, whereas all partial views are just pieces of knowledge or information only.

The Upanishads deal with this ‘within’ of things. Theirs in fact, is the most outstanding contribution on this subject in the human cultural legacy. They term this aspect of reality of things pratyak chaitanya or pratyak atman or pratyak tattva; and they contain the fascinating account of the stages by which the human mind rose from crude beginnings to clear, wholly spiritual heights in the realization of this reality.

How does the world look when we view it from the outside? We seek an answer from the physical sciences. How does it look when we view from the inside? We seek an answer from the non-physical sciences, including the science of religion. And philosophy, as understood in the Upanishadic tradition, is the synthesis of these two answers: Brahmavidyā is Sarvavidyāpratishthā, as the Mundaka Upanishad puts it.

क्षेत्रक्षेत्रज्ञयोर्ज्ञानं यत्तज्ज्ञानम् मतं मम

kṣetrakṣetrajñayorjñānaṃ yattajjñānam mataṃ mama

“The unified knowledge of the ‘without’ and the ‘within’ of things is true knowledge according to Me, as Krishna says in the Gita” (Bhagavad-Gita chapter 13, 2nd Shloka).

From this total viewpoint there is neither inside nor outside; they are relative concepts depending upon some sort of a reference point, e.g.the body; as such, they move within the framework of relativity. Reality knows neither ‘inside’ nor ‘outside’; it is ever full. But these relative concepts are helpful in our approach to the understanding of the total reality.

Thus we find that our knowledge of the manifold of experience the idam, also involves something else, namely, the unity behind the manifold. This unity behind the manifold, which is not perceptible to the senses, is indicated by the term adah meaning ‘that’, indicating something far away, unlike the ‘this’ of the sense experience. ‘This’ is the correlative of ‘that’; ‘this’ is the changeable aspect of reality; ‘that’ is its unchangeable aspect. If ‘this’ refers to something given in sense experience, ‘that’ refers to something transcendental, beyond the experience of the senses. To say ‘this’ therefore also implies at the same time something that is beyond ‘this’. This is an effect as such, it is visible and palpable; and behind it lies the cause, the invisible and the impalpable. Adah, ‘that’, represents the invisible behind the visible, the transcendental behind the empirical, a something that is beyond time and space. In religion this something is called ‘God’. In philosophy it is called tat or adah, That, Brahman, the ultimate Reality, the cause, the ground, and the goal of the universe.

So this verse first tells us that beyond and behind the manifested universe is the reality of Brahman, which is the fullness of pure Being; it then tells us about this world of becoming which, being nothing but Brahman, is also the ‘Full’. From the view of total Reality, it is all ‘fullness’ everywhere, in space-time as well as beyond space-time. Then the verse adds:

पूर्णस्य पूर्णमादाय पूर्णमेवाशिष्यते

pūrṇasya pūrṇamādāya pūrṇamevāśiṣyate

‘From the Fullness of Brahman has come the fullness of the universe, leaving alone Fullness as the remainder.’

What, then, is the point of view or level from which the sentiments of this verse proceed? It is that of the total Reality, the Absolute and the Infinite, in which as we have read earlier, the ‘within’ and the ‘without’ of things merge. The Upanishads call it as ocean of Sachchidānanda, the unity of absolute existence, absolute awareness, and absolute bliss. Itself beyond all distinctions of time and space, it yet manifests itself through all such distinctions. To the purified vision of the Upanishadic sages, this whole universe appeared as the fullness of Being, which was, which is, which shall ever be. In the Bhagavad-Gita (VII. 26) Krshna says:

वेदाहं समतीतानि वर्तमानानि चार्जुन ।
भविष्याणि च भूतानि मां तु वेद न कश्चन ॥

vedāhaṃ samatītāni vartamānāni cārjuna |
bhaviṣyāṇi ca bhūtāni māṃ tu veda na kaścana ||

‘I, O Arjuna, know the beings that are of the past, that are of the present, and that are to come in future; but Me no one knows.’

That fullness of the true Me, says Krshna, is beyond all these limited categories, such as space and time, cause and effect, and substance and attribute.



After the Lemurians had existed for ages as beings not very different from the mankind of later times, yet more spiritual than intellectual, a gradual division took place into two well-marked sections, the Sons of Light and the Sons of Darkness. Selfish desire increased and the decline of the third race set in rapidly, but was not allowed to proceed too far. The law of progress prevented too great a downfall by the destruction of a large portion of the individuals through the breaking up of the Lemurian continent. Simultaneously with the decay of the third race civilizations, the beginnings of the new type of man, the fourth, began to appear, and new lands arose from the sea to take the place of the previous continent. Some of the islands of Polynesia are remains of some of the mountaintops of long-forgotten Lemuria, and the native traditions of a universal deluge, etc., greatly puzzled the early missionaries, who could not conceive how the ignorant savages, living in widely scattered islands, had obtained stories closely resembling those of the Creation and the Flood in the Bible. Australia and New Zealand are the largest parts of Lemuria now existing, but there are other portions, such as Ceylon or Lanka, which is a remnant of a northern highland of Lemuro-Atlantis, and the Polar lands, though the latter belong properly to the first and second continents.

Lemuria is said to have perished finally 700,000 years before the commencement of the Tertiary age of geology. The highest group of its inhabitants, the comparatively few “Sons of Light,” were not disturbed by the upheavals, for they had taken precautions and had moved away to safer regions; most of the small proportion of the average mankind that escaped centered towards land which is now under the waters of the North Atlantic. They formed the nucleus of the next root-race, the Atlantean, and from that land the coming great Atlantean civilization spread over the new continent that was rising. Nature never breaks the continuity of her processes, so no hard and fast line can be drawn as to when one race ends and another begins. For many thousands of years the first subrace of the fourth had been developing parallel with the culminating of the last subraces of the third, just as we see today a new subrace of our fifth root-race forming in America; so that the relic of mankind saved from destruction contained representatives in all degrees of advancement. It should be well remembered that it is not only mankind as a whole, but man as the individual ego, whose progress we are tracing. The races are the temporary vehicles of the larger life of the egos constituting them, and though they may perish when they have served their purpose, and before they have fallen too deeply into degradation, the immortal ego simply passes on to the next experience and will continue to do so until the succeeding manvantara or world period.

Atlantis gradually took form as Lemuria broke up under the turbulent disruptive forces of the adolescent period of earth’s growth, and as the portion of humanity which escaped the destruction spread afar, they peopled the newly risen lands and some of the old that were not submerged, with a race which subsequently touched the lowest depths of materiality that the world has seen. Since the Atlantean period man has been rising, though with many cyclic depressions, for the Atlantean civilization marked a turning point in the history of the Earth. Until then mankind was slowly descending into material conditions with a corresponding obscuration in spirituality. The Atlanteans stand as the apotheosis of matter, and it was in those far-distant days that the heaviest karma of the human race was generated, a karma which is holding us back from the advance we should otherwise make, and whose existence explains many of the difficulties and anomalies of life. Humanity reached its fullest physical development in the fourth race, the physical bodies themselves being much larger than at present. The old saying that “there were giants in those days,” was correct when applied to the Atlanteans. The curious decrease in the size of many organisms, which is so well marked in the case of the fearful saurians of the Secondary period — now represented by comparatively minute reptilian forms — also took place in the human kingdom; but as the practice of cremation was almost universal we are not likely to find many remains of gigantic human bones. Immense footprints have been found in the geologic strata of Nevada and Ohio, USA, which seem to be human, but geology has not definitely sanctioned the claim that they are so.

Legendary island of Atlantis.

The fourth race started under far less favorable conditions than the third, and towards its decline the story of Lemuria was repeated on lower levels; the same fight between the higher and lower natures within and without was waged, but more mercilessly; and as that was the age of passion and desire in excelsis and the eclipse of spirituality, the result was mainly in favor of the lower principles for a long time. But not forever, for, although the majority of the Atlanteans were not the descendants of the higher group of the third race, the “one third that remained faithful” fought such a good fight that they were enabled to escape before the Deluge from the lands that had been cursed by the evildoers, and to become the progenitors of the majority of our present humanity. The story of Noah’s Deluge is, in one of its aspects, a fanciful account of the great Atlantean submersion; but it also has deeper meanings, one of which allegorizes the primeval building of the world.

Full personal responsibility came to the man of the Atlantean period, and although the last or final choice between spiritual advancement on the one side, and materialism or personal aggrandizement on the other, “good and evil,” has not yet come for the mass of humanity, and will not until the next round, a long step in that direction was taken by the Atlanteans. But nature is merciful, and the world is not destined to perish ingloriously; so before the mischief had become irreparable, “the law that moves to righteousness” again arrested further degradation by giving a shock which allowed the egos to start anew with a fresh opportunity, upon new lands not soaked through with the evil memories of past sins. The majority of the Atlantean evildoers perished finally amid indescribable terrors, and the ocean soon obliterated all remains of that proud civilization which had misapplied greater powers than any with which we have since been entrusted. The last large destruction took place towards the close of the Meiocene age, when the Alps were upraised. Most of those then destroyed were of the giant race; but mankind was already diminishing in size, and when the final destruction of the few remaining islands upon which Atlanteans still existed took place, only about 11,000 years ago, men had long before assumed their present proportions. It was the latter destruction to which Plato refers when he handed on the tradition that the gods had caused the wicked Atlanteans to perish 9,000 years before his time. Airships of great perfection were used by the “White Adepts,” and the measures taken and the weapons spoken of illustrate a much deeper knowledge of natural forces — magic — than science has yet suspected, fortunately for us in this age of selfishness!

The fifth or Aryan race had started some time before the last destruction of Atlantis. Descended from the more spiritualized and better class of Atlanteans, a few had preserved the knowledge of their ancestors and were ready to revive it when the race demanded it. The institution of the Mysteries in all countries at a later period was an effort, and fortunately a successful one, to preserve the ancient wisdom from the profanation it had suffered in Atlantis. An example of the profound knowledge of the Atlanteans is shown in the astronomical computations of Indian astronomy, which are based upon a little that was permitted to escape from the guardianship of the Mysteries.

It was in Atlantis, too, that language took its inflectional form, after having passed from the stage of musical nature-sounds in the second race, to monosyllabic speech in the later third, and then to the agglutinative form in the fourth. Of course writing was well known to the fourth race, for during its long career it possessed civilizations higher than were those of Greece or Rome in their palmiest days, and even far higher than our own civilization today, though it may have been lost to the world at large during the period of confusion when the first subraces of the fifth were forming. The traces of writing in the “Stone Age ” (which belongs to our epoch) are not conclusive; and yet it is strange and entirely unexplained by modern science, that Palaeolithic man could draw animals upon antlers and cavern walls, etc., in a style that would not disgrace a good draughtsman of today, and which is certainly superior in accuracy to that of some of the Egyptian conventional representations of animals, or to the crude drawings of the famous Bayeux tapestry which was woven perhaps five hundred thousand years after the time of the supposed brutal “primitive” man — a savage that we are told was nearly on a level with his hypothetical ape-grandfather! Palaeolithic (ancient Stone Age) man was in reality carrying on some memories of the perished civilizations, as his artistic talent shows; the Neolithic (new Stone Age) man who followed him had lost this power, although he was improving in some other respects. The Palaeolithic drawings show no resemblance to the scrawls of children, but display concentrated observation and high technical skill — in other words, qualities of advanced civilization!

With this gradual break-up of the fourth race civilizations, which were varied and numerous, the dawn of what is known to science as the human period, begins. In actual years the distance is enormous from the first subrace of the fifth race to the present day, and what is generally supposed to be the whole history of man “does not go back. In the brief space at our disposal, only the most cursory reference can be made to the progress of humanity during the fifth race.

The destruction of the spiritually degraded Atlanteans gave a shock to the survivors which resulted in the sinking of material civilization for a long time over the main portion of the globe; we are not yet told exactly what proportion of the world kept some vestiges of the past greatness, but it cannot have been large. Anyway, the effect of the fresh start was good, for it provided conditions under which the later comparatively unsophisticated tribes could be helped by advanced souls who incarnated among them and taught them the elements of the arts and sciences. In every tradition that has come down to us from antiquity a Golden Age is spoken of — the “Garden of Eden” in the Bible — and, although in some cases this unmistakably refers to the first, second, and the early third races, when rudimentary mankind had not fallen into materiality, it may generally be taken to mean the dawn of the fifth when mankind was again comparatively pure and happy, and was guided by semi-divine kings, adepts of wisdom and compassion. In Egypt the traditions of many dynasties of gods and heroes were recorded by Manetho, and have actually come down to us, though the lists of names have been mutilated. While no doubt the details of the Greek, Hindu, Egyptian, Central American and Scandinavian cosmogonies and primitive histories of mankind are largely allegorical, their general agreement is not due to chance. By degrees the same old process of materializing came into action; and as the “family” races, or smaller divisions of the subraces, differentiated into the nations of the later ages, we arrive at “historic” and present times, with the numerous red, yellow, brown, black, and white representatives of the complex developments of the great evolutionary process of human expansion. Although we have descended into an age of moral and spiritual darkness (not intellectual), as compared with the Golden Ages it must not be forgotten that in the great journey of the soul from spiritual conditions through the material and back to a higher point, it is subject to a continual series of smaller cyclic ups and downs, and that even in the darkest time necessary experience is being gained. As we have long since passed the densest materiality of the fourth race, every step onwards is leading to higher conditions, and although the road seems to cross many a hill and descend into dark valleys, its general tendency is upwards all the time.

Dance of the Shiva, q’i (chee) and Tibetan Sunyata. Manifestation of Mysticism.

अनेजदेकं मनसो जवीयो नैनद्देवाप्नुवन्पूर्वमर्षत् ।
तद्धावतोऽन्यान्नत्येति तिष्ठत् तस्मिन्नापो मातरिश्वा दधाति ॥

anejadekaṃ manaso javīyo nainaddevāpnuvanpūrvamarṣat |
taddhāvato’nyānnatyeti tiṣṭhat tasminnāpo mātariśvā dadhāti ||

The self is one. It is unmoving: yet faster than the mind. Thus moving faster, It is beyond the reach of the senses. Ever steady, It outstrips all that run. By its mere presence, the cosmic energy is enabled to sustain the activities of living beings.

तस्मिन् मनसि ब्रह्मलोकादीन्द्रुतं गच्छति सति प्रथमप्राप्त इवात्मचैतन्याभासो गृह्यते अतः मनसो जवीयः इत्याह ।

tasmin manasi brahmalokādīndrutaṃ gacchati sati prathamaprāpta ivātmacaitanyābhāso gṛhyate ataḥ manaso javīyaḥ ityāha |

When the mind moves fast towards the farthest worlds such as the brahmaloka, it finds the Atman, of the nature of pure awareness, already there; hence the statement that It is faster than the mind.

नित्योऽनित्यानां चेतनश्चेतनानाम्
एको बहूनां यो विदधाति कामान् ।
तमात्मस्थं योऽनुपश्यन्ति धीराः
तेषां शान्तिः शाश्वतं नेतरेषाम् ॥

nityo’nityānāṃ cetanaścetanānām
eko bahūnāṃ yo vidadhāti kāmān |
tamātmasthaṃ yo’nupaśyanti dhīrāḥ
teṣāṃ śāntiḥ śāśvataṃ netareṣām ||

He is the eternal in the midst of non-eternals, the principle of intelligence in all that are intelligent. He is One, yet fulfils the desires of many. Those wise men who perceive Him as existing within their own self, to them eternal peace, and non else.


Eastern mysticism approaches the manifestation of life in the cosmos and all that compose it from a position diametrically opposed to the view that prevailed until recently among the majority of Western scientists, philosophers, and religionists. Orientals see the universe as a whole, as an organism. For them all things are interconnected, links in a chain of beings permeated by consciousness which threads them together. This consciousness is the one life-force, originator of all the phenomena we know under the heading of nature, and it dwells within its emanations, urging them as a powerful inner drive to grow and evolve into ever more refined expressions of divinity. The One manifests, not only in all its emanations, but also through those emanations as channels: it is within them and yet remains transcendent as well.

The emphasis is on the Real as subject whereas in the West it is seen as object. If consciousness is the noumenal or subjective aspect of life in contrast to the phenomenal or objective — everything seen as separate objects — then only this consciousness can be experienced, and no amount of analysis can reveal the soul of Reality. To illustrate: for the ancient Egyptians, their numerous “gods” were aspects of the primal energy of the Divine Mind (Thoth) which, before the creation of our universe, rested, a potential in a subjective state within the “waters of Space.” It was through these gods that the qualities of divinity manifested.

A question still being debated runs: “How does the One become the many?” meaning: if there is a “God,” how do the universe and the many entities composing it come into being? This question does not arise among those who perceive the One to dwell in the many, and the many to live in the One from whom life and sustenance derive. Despite our Western separation of Creator and creation, and the corresponding distancing of “God” from human beings, Western mystics have held similar views to those of the East, e.g.: Meister Eckhart, the Dominican theologian and preacher, who was accused of blasphemy for daring to say that he had once experienced nearness to the “Godhead.” His friends and followers were living testimony to the charisma (using the word in its original connotation of spiritual magnetism) of those who live the life of love for fellow beings men like Johannes Tauler, Heinrich Suso, the “admirable Ruysbroeck,” who expressed views similar to those of Eastern exponents of the spiritual way or path.

In old China, the universe was described as appearing first as q’i (chee), an emanation of Light, not the physical light that we know, but its divine essence sometimes called Tien, Heaven, in contrast to Earth. The q’i energy polarized as Yang and Yin, positive and negative electromagnetism. From the action and interaction of these two sprang the “10,000 things”: the universe, our world, the myriads of beings and things as we perceive them to be. In other words, the ancient Chinese viewed our universe as one of process, the One energy, q’i, proliferating into the many.

In their paintings Chinese artists depict man as a small but necessary element in gigantic natural scenes. And since we are parts of the cosmos, we are embodiments of all its potentials and our relationship depends upon how we focus ourselves: (1) harmoniously, i.e., in accord with nature; or (2) disharmoniously, interfering with the course of nature. We therefore affect the rest: our environment, all other lives, and bear full responsibility for the outcome of our thoughts and acts, our motivations, our impacts. Their art students were taught to identify with what they were painting, because there is life in every thing, and it is this life with which they must identify, with boulders and rocks no less than with birds flying overhead. Matter, energy, space, are all manifestations of q’i and we, as parts thereof, are intimately connected with all the universe.

In India, the oneness of life was seen through the prism of successive manifestations of Brahman, a neuter or impersonal term in Sanskrit for divinity, the equivalent of what Eckhart called the Godhead. Brahman is the source of the creative power, Brahma, Eckhart’s Creator; and also the origin of the sustaining and supporting energy or Vishnu, and of the destructive/regenerative force or Siva. As these three operate through the cosmos, the “world” as we know it, so do they also through ourselves on a smaller scale according to our capacity. Matter is perceived to be condensed energy, Chit or consciousness itself. To quote from the Mundaka Upanishad:

By the energism of Consciousness Brahman is massed; from that: Matter is born and from Matter Life and Mind and the worlds . . .

In another Hindu scripture, it is stated that when Brahma awakened from his period of rest between manifestations, he desired to contemplate himself as he is. By gazing into the awakening matter particles as into a mirror, he stirred them to exhibit their latent divine qualities. Since this process involves a continuous unfoldment from the center within, an ever-becoming, there can never be an end to the creativity — universal “days” comprising trillions of our human years, followed by a like number of resting “nights.”

We feel within ourselves the same driving urge to grow that runs through the entire, widespread universe, to express more and more of what is locked up in the formless or subjective realm of Be-ness, awaiting the magic moment to come awake in our phase of life.

Tibetan metaphysics embraces all of this in discussing Sunyata, which can be viewed as Emptiness if we use only our outer senses, or as Fullness if we inwardly perceive it to be full of energies of limitless ranges of wave-lengths/frequencies. This latter aspect of Space is the great mother of all, ever fecund, from whose “heart” emerge endless varieties of beings, endless forces, ever-changing variations — like the pulsing energies the new physicists perceive nuclear subparticles to be.

In the Preface to his Tao of physics Fritjof Capra tells how one summer afternoon he had a transforming experience by the seashore as he watched the waves rolling in and felt the rhythm of his own breathing. He saw dancing motes revealed in a beam of sunlight; particles of energy vibrating as molecules and atoms; cascades of energy pouring down upon us from outer space. All of this coming and going, appearing and disappearing, he equated with the Indian concept of the dance of Siva . . . he felt its rhythm, “heard” its sound, and knew himself to be a part of it. Through this highly personal, indeed mystical, experience Capra became aware of his “whole environment as being engaged in a gigantic cosmic dance.”

This is the gist of the old Chinese approach to physics: students were taught gravitation by observing the petals of a flower as they fall gracefully to the ground. As Gary Zukav expresses it in his Dancing Wu Li Masters: An Overview of the New Physics:

The world of particle physics is a world of sparkling energy forever dancing with itself in the form of its particles as they twinkle in and out of existence, collide, transmute, and disappear again.

That is: the dance of Siva is the dance of attraction and repulsion between charged particles of the electromagnetic force. This is a kind of “transcendental” physics, going beyond the “world of opposites” and approaching a mystical view of the larger Reality that is to our perceptions an invisible foundation of what we call “physical reality.” It is so far beyond the capacity or vocabulary of the mechanically rational part of our mind to define, that the profound Hindu scripture Isa Upanishad prefers to suggest the thought by a paradox:

तदेजति तन्नैजति तद्दूरे तद्वन्तिके ।
तदन्तरस्य सर्वस्य तदु सर्वस्यास्य बाह्यतः ॥

tadejati tannaijati taddūre tadvantike |
tadantarasya sarvasya tadu sarvasyāsya bāhyataḥ ||

It moves. It moves not.  It is far, and it is near. It is within all this, And It is verily outside of all this.

Indeed, there is a growing recognition mostly by younger physicists that consciousness is more than another word for awareness, more than a by-product of cellular activity (or of atomic or subatomic vibrations). For instance, Jack Sarfatti, a quantum physicist, says that signals pulsating through space provide instant communication between all parts of the cosmos. “These signals can be likened to pulses of nerve cells of a great cosmic brain that permeates all parts of space (Michael Talbot, Mysticism and the New Physics).” Michael Talbot quotes Sir James Jeans’ remark, “the universe is more like a giant thought than a giant machine,” commenting that the “substance of the great thought is consciousness” which pervades all space. Or as Schrödinger would have it:

Consciouness is never experienced in the plural, only in the singular….Consciouness is a singular of which the plural is unknown; that; there is only one thing and that, what seems to be a plurality is merely a series of different aspects of this one thing, produced by a deception (the Indian Maya).

Other phenomena reported as occurring in the cosmos at great distances from each other, yet simultaneously, appear to be connected in some way so far unexplained, but to which the term consciousness has been applied.

In short, the mystic deals with direct experience; the intuitive scientist is open-minded, and indeed the great discoveries such as Einstein’s were made by amateurs in their field untrammeled by prior definitions and the limitations inherited from past speculations. This freedom enabled them to strike out on new paths that they cleared and paved. The rationalist tries to grapple with the problems of a living universe using only analysis and whatever the computer functions of the mind can put together.

The theosophic perspective upon universal phenomena is based on the concept of the ensoulment of the cosmos. That is: from the smallest subparticle we know anything about to the largest star-system that has been observed, each and all possess at their core vitality, energy, an active something propelling towards growth, evolution of faculties from within.

The only “permanent” in the whole universe is motion: unceasing movement, and the ideal perception is a blend of the mystical with the scientific, the intuitive with the rational.