Biogrammatic Vir(Ac)tuality. Note Quote.

In Foucault’s most famous example, the prison acts as the confluence of content (prisoners) and expression (law, penal code) (Gilles Deleuze, Sean Hand-Foucault). Informal Diagrams are proliferate. As abstract machines they contain the transversal vectors that cut across a panoply of features (such as institutions, classes, persons, economic formation, etc), mapping from point to relational point, the generalized features of power economies. The disciplinary diagram explored by Foucault, imposes “a particular conduct upon a particular human multiplicity”. The imposition of force upon force affects and effectuates the felt experience of a life, a living. Deleuze has called the abstract machine “pure matter/function” in which relations between forces are nonetheless very real.

[…] the diagram acts as a non-unifying immanent cause that is co-extensive with the whole social field: the abstract machine is like the cause of the concrete assemblages that execute its relations; and these relations between forces take place ‘not above’ but within the very tissue of the assemblages they produce.

The processual conjunction of content and expression; the cutting edge of deterritorialization:

The relations of power and resistance between theory and practice resonate – becoming-form; diagrammatics as praxis, integrates and differentiates the immanent cause and quasi-cause of the actualized occasions of research/creation. What do we mean by immanent cause? It is a cause which is realized, integrated and distinguished in its effect. Or rather, the immanent cause is realized, integrated and distinguished by its effect. In this way there is a correlation or mutual presupposition between cause and effect, between abstract machine and concrete assemblages

Memory is the real name of the relation to oneself, or the affect of self by self […] Time becomes a subject because it is the folding of the outside…forces every present into forgetting but preserves the whole of the past within memory: forgetting is the impossibiltiy of return and memory is the necessity of renewal.

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The figure on the left is Henri Bergson’s diagram of an infinitely contracted past that directly intersects with the body at point S – a mobile, sensorimotor present where memory is closest to action. Plane P represents the actual present; plane of contact with objects. The AB segments represent repetitive compressions of memory. As memory contracts it gets closer to action. In it’s more expanded forms it is closer to dreams. The figure on the right extrapolates from Bergson’s memory model to describe the Biogrammatic ontological vector of the Diagram as it moves from abstract (informal) machine in the most expanded form “A” through the cone “tissue” to the phase-shifting (formal), arriving at the Strata of the P plane to become artefact. The ontological vector passes through the stratified, through the interval of difference created in the phase shift (the same phase shift that separates and folds content and expression to move vertically, transversally, back through to the abstract diagram.)

A spatio-temporal-material contracting-expanding of the abstract machine is the processual thinking-feeling-articulating of the diagram becoming-cartographic; synaesthetic conceptual mapping. A play of forces, a series of relays, affecting a tendency toward an inflection of the informal diagram becoming-form. The inflected diagram/biogram folds and unfolds perception, appearances; rides in the gap of becoming between content and expression; intuitively transduces the actualizing (thinking, drawing, marking, erasing) of matter-movement, of expressivity-movement. “To follow the flow of matter… is intuition in action.” A processual stage that prehends the process of the virtual actualizing;

the creative construction of a new reality. The biogrammatic stage of the diagrammatic is paradoxically double in that it is both the actualizing of the abstract machine (contraction) and the recursive counter-actualization of the formal diagram (détournement); virtual and actual.

It is the event-dimension of potential – that is the effective dimension of the interrelating of elements, of their belonging to each other. That belonging is a dynamic corporeal “abstraction” – the “drawing off” (transductive conversion) of the corporeal into its dynamism (yielding the event) […] In direct channeling. That is, in a directional channeling: ontological vector. The transductive conversion is an ontological vector that in-gathers a heterogeneity of substantial elements along with the already-constituted abstractions of language (“meaning”) and delivers them together to change. (Brian Massumi Parables for the Virtual Movement, Affect, Sensation)

Skin is the space of the body the BwO that is interior and exterior. Interstitial matter of the space of the body.

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The material markings and traces of a diagrammatic process, a ‘capturing’ becoming-form. A diagrammatic capturing involves a transductive process between a biogrammatic form of content and a form of expression. The formal diagram is thus an individuating phase-shift as Simondon would have it, always out-of-phase with itself. A becoming-form that inhabits the gap, the difference, between the wave phase of the biogrammatic that synaesthetically draws off the intermix of substance and language in the event-dimension and the drawing of wave phase in which partial capture is formalized. The phase shift difference never acquires a vectorial intention. A pre-decisive, pre-emptive drawing of phase-shifting with a “drawing off” the biogram.

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If effects realize something this is because the relations between forces or power relations, are merely virtual, potential, unstable vanishing and molecular, and define only possibilities of interaction so long as they do not enter a macroscopic whole capable of giving form to their fluid manner and diffuse function. But realization is equally an integration, a collection of progressive integrations that are initially local and then become or tend to become global, aligning, homogenizing and summarizing relations between forces: here law is the integration of illegalisms.

 

Yantra + Yi-Globe = Yi-Yantra. Note Quote.

The lower and the upper semicircles of the Yi-globe,

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where the hexagrams are shown in plane, best serve for direct comparison. There, the structural features common with the yantras are clearly visible: the arrangement of the hexagrams around the center, the concentric circles embedded into one another, and the perfect balance and symmetry.

The analogy between the Yi-globe and the yantras can be recognized in almost every formal detail, if the Chamunda-yantra (Yantra literally means “support” and “instrument”. A Yantra is a geometric design acting as a highly efficient tool for contemplation, concentration and meditation carrying spiritual significance) is taken as an example

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The similarity between the two symbols is still more complete with respect to the metaphysical contents. Yantras are the symbols of deities, whereby one part represents a god (generally, a goddess) itself, while the other part stands for the cosmic activity (function) attributed to the deity and the power manifested in the latter; thus actually, a yantra symbolizes the whole universe as well. The power of the yantras lies in the concentrated visualization – completed with the vibration of the associated mantras – capable even in itself of raising and directing cosmic energies into the human psyche, whereby man merges into the deity in his mind and, at last, becomes one with the universe, the cosmic wholeness.

When the properties of the two symbols are analyzed, the following cosmological analogies between the Yi-globe and the yantras are found

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The comparison clearly reveals that the Yi-globe and the yantras represent the same spiritual content and that most of their formal elements are identical as well. Accordingly, it is fully justified to take the Yi-globe as a special yantra.

Figure below demonstrates how easily the Yi-globe transforms into the form of a yantra. Since this yantra perfectly reflects all the connotations of the Yi-globe, its name is Yi-yantra.

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On the petals (or other geometrical elements) of the yantras, mantras are written. On the Yi-yantra, the hexagrams replace the mantras at the corresponding places. (This replacement is merely formal here, since the function of the mantras manifests only when they are expressed in words.)

Based on the exposed analysis, the connotations of the individual geometrical elements in the Yi-yantra are as follows:

  • The two circlets in the center stand for the two signs of Completion, representing the Center of the World, the starting point of creation, and at the same time the place of final dissolution.
  • The creative forces, which are to give birth to the macrocosm and microcosm, emanate from the center. This process is represented by the hexagon.
  • The eight double trigrams surrounding the hexagon represent the differentiated primal powers arranged according to the Earlier Heaven. The two squares show that they already embrace the created world, but only in inherent (i.e., not manifested) form.
  • The red circle around the squares unites the ten hexagrams on the axis of the Yi-globe. The parallel blue circle is level I of the Yi-globe, whereto the powers of the Receptive extend, and wherefrom changes (forces) direct outwards in the direction of level II. The six orange petals of the lotus (the six hexagrams) show these directions.
  • The next pair of the orange and blue circles, and the twelve orange petals with the twelve hexagrams stand for levels II.
  • The next circle contains eighteen orange petals, representing level III. At its outer circle, the development (evolution) ends. On level III, the golden petals show the opposite direction of the movement.
  • From here, the development is directed inwards (involution). The way goes through levels IV and V, to the final dissolution in the Creative in the Center.
  • The square surrounding the Yi-globe represents the external existence; its gates provide access towards the inward world. The square area stands for the created world, shown by the trigrams indicated therein and arranged according to the Later Heaven.

Abstract Expressions of Time’s Modalities. Thought of the Day 21.0

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According to Gregory Bateson,

What we mean by information — the elementary unit of information — is a difference which makes a difference, and it is able to make a difference because the neural pathways along which it travels and is continually transformed are themselves provided with energy. The pathways are ready to be triggered. We may even say that the question is already implicit in them.

In other words, we always need to know some second order logic, and presuppose a second order of “order” (cybernetics) usually shared within a distinct community, to realize what a certain claim, hypothesis or theory means. In Koichiro Matsuno’s opinion Bateson’s phrase

must be a prototypical example of second-order logic in that the difference appearing both in the subject and predicate can accept quantification. Most statements framed in second-order logic are not decidable. In order to make them decidable or meaningful, some qualifier needs to be used. A popular example of such a qualifier is a subjective observer. However, the point is that the subjective observer is not limited to Alice or Bob in the QBist parlance.

This is what is necessitated in order understand the different viewpoints in logic of mathematicians, physicists and philosophers in the dispute about the existence of time. An essential aspect of David Bohm‘s “implicate order” can be seen in the grammatical formulation of theses such as the law of motion:

While it is legitimate in its own light, the physical law of motion alone framed in eternal time referable in the present tense, whether in classical or quantum mechanics, is not competent enough to address how the now could be experienced. … Measurement differs from the physical law of motion as much as the now in experience differs from the present tense in description. The watershed separating between measurement and the law of motion is in the distinction between the now and the present tense. Measurement is thus subjective and agential in making a punctuation at the moment of now. (Matsuno)

The distinction between experiencing and capturing experience of time in terms of language is made explicit in Heidegger’s Being and Time

… by passing away constantly, time remains as time. To remain means: not to disappear, thus, to presence. Thus time is determined by a kind of Being. How, then, is Being supposed to be determined by time?

Koichiro Matsuno’s comment on this is:

Time passing away is an abstraction from accepting the distinction of the grammatical tenses, while time remaining as time refers to the temporality of the durable now prior to the abstraction of the tenses.

Therefore, when trying to understand the “local logics/phenomenologies” of the individual disciplines (mathematics physics, philosophy, etc., including their fields), one should be aware of the fact that the capabilities of our scientific language are not limitless:

…the now of the present moment is movable and dynamic in updating the present perfect tense in the present progressive tense. That is to say, the now is prior and all of the grammatical tenses including the ubiquitous present tense are the abstract derivatives from the durable now. (Matsuno)

This presupposes the adequacy of mathematical abstractions specifically invented or adopted and elaborated for the expression of more sophisticated modalities of time’s now than those currently used in such formalisms as temporal logic.