The Sibyl’s Prophecy/Nordic Creation. Note Quote.



The Prophecy of the Tenth Sibyl, a medieval best-seller, surviving in over 100 manuscripts from the 11th to the 16th century, predicts, among other things, the reign of evil despots, the return of the Antichrist and the sun turning to blood.

The Tenth or Tiburtine Sibyl was a pagan prophetess perhaps of Etruscan origin. To quote Lactantus in his general account of the ten sibyls in the introduction, ‘The Tiburtine Sibyl, by name Albunea, is worshiped at Tibur as a goddess, near the banks of the Anio in which stream her image is said to have been found, holding a book in her hand’.

The work interprets the Sibyl’s dream in which she foresees the downfall and apocalyptic end of the world; 9 suns appear in the sky, each one more ugly and bloodstained than the last, representing the 9 generations of mankind and ending with Judgment Day. The original Greek version dates from the end of the 4th century and the earliest surviving manuscript in Latin is dated 1047. The Tiburtine Sibyl is often depicted with Emperor Augustus, who asks her if he should be worshipped as a god.

The foremost lay of the Elder Edda is called Voluspa (The Sibyl’s Prophecy). The volva, or sibyl, represents the indelible imprint of the past, wherein lie the seeds of the future. Odin, the Allfather, consults this record to learn of the beginning, life, and end of the world. In her response, she addresses Odin as a plurality of “holy beings,” indicating the omnipresence of the divine principle in all forms of life. This also hints at the growth of awareness gained by all living, learning entities during their evolutionary pilgrimage through spheres of existence.

Hear me, all ye holy beings, greater as lesser sons of Heimdal! You wish me to tell of Allfather’s works, tales of the origin, the oldest I know. Giants I remember, born in the foretime, they who long ago nurtured me. Nine worlds I remember, nine trees of life, before this world tree grew from the ground.

Paraphrased, this could be rendered as:

Learn, all ye living entities, imbued with the divine essence of Odin, ye more and less evolved sons of the solar divinity (Heimdal) who stands as guardian between the manifest worlds of the solar system and the realm of divine consciousness. You wish to learn of what has gone before. I am the record of long ages past (giants), that imprinted their experience on me. I remember nine periods of manifestation that preceded the present system of worlds.

Time being inextricably a phenomenon of manifestation, the giant ages refer to the matter-side of creation. Giants represent ages of such vast duration that, although their extent in space and time is limited, it is of a scope that can only be illustrated as gigantic. Smaller cycles within the greater are referred to in the Norse myths as daughters of their father-giant. Heimdal is the solar deity in the sign of Aries – of beginnings for our system – whose “sons” inhabit, in fact compose, his domain.

Before a new manifestation of a world, whether a cosmos or a lesser system, all its matter is frozen in a state of immobility, referred to in the Edda as a frost giant. The gods – consciousnesses – are withdrawn into their supernal, unimaginable abstraction of Nonbeing, called in Sanskrit “paranirvana.” Without a divine activating principle, space itself – the great container – is a purely theoretical abstraction where, for lack of any organizing energic impulse of consciousness, matter cannot exist.

This was the origin of ages when Ymer built. No soil was there, no sea, no cool waves. Earth was not, nor heaven above; Gaping Void alone, no growth. Until the sons of Bur raised the tables; they who created beautiful Midgard. The sun shone southerly on the stones of the court; then grew green herbs in fertile soil.

To paraphrase again:

Before time began, the frost giant (Ymer) prevailed. No elements existed for there were ‘no waves,’ no motion, hence no organized form nor any temporal events, until the creative divine forces emanated from Space (Bur — a principle, not a locality) and organized latent protosubstance into the celestial bodies (tables at which the gods feast on the mead of life-experience). Among these tables is Middle Court (Midgard), our own beautiful planet. The life-giving sun sheds its radiant energies to activate into life all the kingdoms of nature which compose it.

The Gaping Void (Ginnungagap) holds “no cool waves” throughout illimitable depths during the age of the frost giant. Substance has yet to be created. Utter wavelessness negates it, for all matter is the effect of organized, undulating motion. As the cosmic hour strikes for a new manifestation, the ice of Home of Nebulosity (Niflhem) is melted by the heat from Home of Fire (Muspellshem), resulting in vapor in the void. This is Ymer, protosubstance as yet unformed, the nebulae from which will evolve the matter components of a new universe, as the vital heat of the gods melts and vivifies the formless immobile “ice.”

When the great age of Ymer has run its course, the cow Audhumla, symbol of fertility, “licking the salt from the ice blocks,” uncovers the head of Buri, first divine principle. From this infinite, primal source emanates Bur, whose “sons” are the creative trinity: Divine Allfather, Will, and Sanctity (Odin, Vile, and Vi). This triune power “kills” the frost giant by transforming it into First Sound (Orgalmer), or keynote, whose overtones vibrate through the planes of sleeping space and organize latent protosubstance into the multifarious forms which will be used by all “holy beings” as vehicles for gaining experience in worlds of matter.

Beautiful Midgard, our physical globe earth, is but one of the “tables” raised by the creative trinity, whereat the gods shall feast. The name Middle Court is suggestive, for the ancient traditions place our globe in a central position in the series of spheres that comprise the terrestrial being’s totality. All living entities, man included, comprise besides the visible body a number of principles and characteristics not cognized by the gross physical senses. In the Lay of Grimner (Grimnismal), wherein Odin in the guise of a tormented prisoner on earth instructs a human disciple, he enumerates twelve spheres or worlds, all but one of which are unseen by our organs of sight. As to the formation of Midgard, he relates:

Of Ymer’s flesh was the earth formed, the billows of his blood, the mountains of his bones, bushes of his hair, and of his brainpan heaven. With his eyebrows beneficent powers enclosed Midgard for man; but of his brain were surely all dark skies created.

The trinity of immanent powers organize Ymer into the forms wherein they dwell, shaping the chaos or frost giant into living globes on many planes of being. The “eyebrows” that gird the earth and protect it suggest the Van Allen belts that shield the planet from inimical radiation. The brain of Ymer – material thinking – is surely all too evident in the thought atmosphere wherein man participates.

The formation of the physical globe is described as the creation of “dwarfs” – elemental forces which shape the body of the earth-being and which include the mineral. vegetable, and animal kingdoms.

The mighty drew to their judgment seats, all holy gods to hold counsel: who should create a host of dwarfs from the blood of Brimer and the limbs of the dead. Modsogne there was, mightiest of all the dwarfs, Durin the next; there were created many humanoid dwarfs from the earth, as Durin said.

Brimer is the slain Ymer, a kenning for the waters of space. Modsogne is the Force-sucker, Durin the Sleeper, and later comes Dvalin the Entranced. They are “dwarf”-consciousnesses, beings that are miðr than human – the Icelandic miðr meaning both “smaller” and “less.” By selecting the former meaning, popular concepts have come to regard them as undersized mannikins, rather than as less evolved natural species that have not yet reached the human condition of intelligence and self-consciousness.

During the life period or manifestation of a universe, the governing giant or age is named Sound of Thor (Trudgalmer), the vital force which sustains activity throughout the cycle of existence. At the end of this age the worlds become Sound of Fruition (Bargalmer). This giant is “placed on a boat-keel and saved,” or “ground on the mill.” Either version suggests the karmic end product as the seed of future manifestation, which remains dormant throughout the ensuing frost giant of universal dissolution, when cosmic matter is ground into a formless condition of wavelessness, dissolved in the waters of space.

There is an inescapable duality of gods-giants in all phases of manifestation: gods seek experience in worlds of substance and feast on the mead at stellar and planetary tables; giants, formed into vehicles inspired with the divine impetus, rise through cycles of this association on the ladder of conscious awareness. All states being relative and bipolar, there is in endless evolution an inescapable link between the subjective and objective progress of beings. Odin as the “Opener” is paired with Orgalmer, the keynote on which a cosmos is constructed; Odin as the “Closer” is equally linked with Bargalmer, the fruitage of a life cycle. During the manifesting universe, Odin-Allfather corresponds to Trudgalmer, the sustainer of life.

A creative trinity plays an analogical part in the appearance of humanity. Odin remains the all-permeant divine essence, while on this level his brother-creators are named Honer and Lodur, divine counterparts of water or liquidity, and fire or vital heat and motion. They “find by the shore, of little power” the Ash and the Elm and infuse into these earth-beings their respective characteristics, making a human image or reflection of themselves. These protohumans, miniatures of the world tree, the cosmic Ash, Yggdrasil, in addition to their earth-born qualities of growth force and substance, receive the divine attributes of the gods. By Odin man is endowed with spirit, from Honer comes his mind, while Lodur gives him will and godlike form. The essentially human qualities are thus potentially divine. Man is capable of blending with the earth, whose substances form his body, yet is able to encompass in his consciousness the vision native to his divine source. He is in fact a minor world tree, part of the universal tree of life, Yggdrasil.

Ygg in conjunction with other words has been variously translated as Eternal, Awesome or Terrible, and Old. Sometimes Odin is named Yggjung, meaning the Ever-Young, or Old-Young. Like the biblical “Ancient of Days” it is a concept that mind can grasp only in the wake of intuition. Yggdrasil is the “steed” or the “gallows” of Ygg, whereon Odin is mounted or crucified during any period of manifested life. The world tree is rooted in Nonbeing and ramifies through the planes of space, its branches adorned with globes wherein the gods imbody. The sibyl spoke of ours as the tenth in a series of such world trees, and Odin confirms this in The Song of the High One (Den Hoges Sang):

I know that I hung in the windtorn tree nine whole nights, spear-pierced, given to Odin, my self to my Self above me in the tree, whose root none knows whence it sprang. None brought me bread, none served me drink; I searched the depths, spied runes of wisdom, raised them with song, and fell once more from the tree. Nine powerful songs I learned from the wise son of Boltorn, Bestla’s father; a draught I drank of precious mead ladled from Odrorer. I began to grow, to grow wise, to grow greater and enjoy; for me words from words led to new words, for me deeds from deeds led to new deeds.

Numerous ancient tales relate the divine sacrifice and crucifixion of the Silent Watcher whose realm or protectorate is a world in manifestation. Each tree of life, of whatever scope, constitutes the cross whereon the compassionate deity inherent in that hierarchy remains transfixed for the duration of the cycle of life in matter. The pattern of repeated imbodiments for the purpose of gaining the precious mead is clear, as also the karmic law of cause and effect as words and deeds bring their results in new words and deeds.

Yggdrasil is said to have three roots. One extends into the land of the frost giants, whence flow twelve rivers of lives or twelve classes of beings; another springs from and is watered by the well of Origin (Urd), where the three Norns, or fates, spin the threads of destiny for all lives. “One is named Origin, the second Becoming. These two fashion the third, named Debt.” They represent the inescapable law of cause and effect. Though they have usually been roughly translated as Past, Present, and Future, the dynamic concept in the Edda is more complete and philosophically exact. The third root of the world tree reaches to the well of the “wise giant Mimer,” owner of the well of wisdom. Mimer represents material existence and supplies the wisdom gained from experience of life. Odin forfeited one eye for the privilege of partaking of these waters of life, hence he is represented in manifestation as one-eyed and named Half-Blind. Mimer, the matter-counterpart, at the same time receives partial access to divine vision.

The lays make it very clear that the purpose of existence is for the consciousness-aspect of all beings to gain wisdom through life, while inspiring the substantial side of itself to growth in inward awareness and spirituality. At the human level, self-consciousness and will are aroused, making it possible for man to progress willingly and purposefully toward his divine potential, aided by the gods who have passed that way before him, rather than to drift by slow degrees and many detours along the road of inevitable evolution. Odin’s instructions to a disciple, Loddfafner, the dwarf-nature in man, conclude with:

Now is sung the High One’s song in the High One’s hall. Useful to sons of men, useless to sons of giants. Hail Him who sang! Hail him who kens! Rejoice they who understand! Happy they who heed!

Prometheus and Hinduism. Note Quote.

Prometheus: Yes, I caused mortals to cease foreseeing their doom.
Chorus: Of what sort was the cure that you found for this affliction?
Prometheus: I caused blind hopes to dwell within their breasts.
Chorus: A great benefit was this you gave to mortals.
Prometheus: In addition, I gave them fire.
Chorus: What! Do creatures of a day now have flame-eyed fire?
Prometheus: Yes, and from it they shall learn many arts.
Aeschylus, Prometheus Bound


After the coming into being of the world, the stories tell us, everything had found its place. But one creature, capable of lofty thought, was still missing. When Kronos ruled Olympus, the deathless gods decided to fashion a golden race of mortal men. Knowing of the divine seed that slumbered in the Earth, only recently separated from the heavenly aether, Prometheus mixed clay and running water. He shaped this into likenesses of the all-controlling gods, including also qualities taken from all the animals. This is how the first humans came into existence. In the course of ages, after Zeus had banished the ancient gods to Tartarus, humans populated the Earth, but lumbered witless as if in a dream. They did not know how to see, hear, or understand, or how to create things with their hands. Prometheus’s empathy led him to steal for them the forbidden divine fire hidden by Zeus, which allowed him to teach them skills and sciences that used all their potentials.

Angered by the theft, Zeus plotted revenge on both humanity and its benefactor. He had Hephaestus, smith of the gods, create a beautiful virgin, Pandora, who was furnished with disastrous gifts by Athena, Aphrodite, and other gods. When a box she was carrying was opened on Earth, all evils and diseases escaped from it and spread among mankind. One single good thing, Hope, had not escaped when she clapped the lid closed. Meanwhile Prometheus was dragged to earth’s remotest wilderness and bound to a rock over a terrifying abyss with chains that could not be undone. Every day an eagle came and ate from his liver, which would regenerate each night. He endured this torment for centuries until the hero Hercules set him free.

This myth calls to mind stories of divine fire brought to mankind in many other traditions.

The allegory of the fire of Prometheus is another version of the rebellion of the proud Lucifer [“light-bringer”], who was hurled down to the bottomless pit, or simply unto our Earth, to live as man. The Hindu Lucifer, the Mahasura, is also said to have become envious of the Creator’s resplendent light, and, at the head of inferior Asuras (not gods, but spirits), to have rebelled against Brahma; for which Siva hurled him down to Patala. But, as philosophy goes hand in hand with allegorical fiction in Hindu myths, the devil is made to repent, and is afforded the oppor­tunity to progress.

Also in Hinduism are the Manasaputras or “sons of mind,” who brought mankind the fire of thought. In the Nordic Edda the name of the god Loki – a blood brother of Odin – comes from the old word liuhan, “to illuminate.”

What then is the inner significance behind these particular stories? Long ago the early human race had undergone a certain amount of evolution but “thinkers” had not yet been born: nature had succeeded in developing a suitable body but the soul-giving principle, the fire of self-conscious thought, had not yet been awakened. Adam and Eve, to a certain extent, existed in paradise without self-awareness. Like Lucifer, Prometheus is an allegorical representation of the incarnation of our higher self, the awakening of the active, self-reflective capacity for thought. This subject is therefore of the highest significance for human evolution.

It is owing to this rebellion of intellectual life against the morbid inactivity of pure spirit, that we are what we are — self-conscious, thinking men, with the capabilities and attributes of Gods in us, for good as much as for evil. Hence the rebels are our saviours. . . . It is only by the attractive force of the contrasts that the two opposites — Spirit and Matter — can be cemented on Earth, and, smelted in the fire of self-conscious experience and suffering, find themselves wedded in Eternity.

By the gods allying themselves with us for this period of development, it became possible for us to attain knowledge and wisdom. But why was Prometheus harshly punished? Other legends suggest a motive; for instance Genesis reports:

And the Lord God said, “The man has now become like one of us, knowing good and evil. He must not be allowed to reach out his hand and take also from the tree of life and eat, and live forever.” So the Lord God banished him from the Garden of Eden to work the ground from which he had been taken. After he drove the man out, he placed on the east side of the Garden of Eden cherubim and a flaming sword flashing back and forth to guard the way to the tree of life. – 3:22-4

As with Pandora’s box, all evil in this world arose from the joining of the spiritual with the human world. Many commentators see in this a question of guilt, but this misses the crux of the matter: Adam and Eve are driven out of paradise because, with the power of thought, there is no longer any paradise for them. The human being, equipped with the divine capacity for self-reflective thought, can use this newly-won strength to create or destroy, to accomplish wonderful things or great crimes. One day we will ascend again and establish a human race worthy of the gods, but there is still a long way to go in overcoming “I am I” (egoic awareness) to reach “I am” (universal consciousness).

This evolutionary process is also clearly reflected in symbolism. Spirit, represented by a vertical line, is linked with the material world, represented by a horizontal line. Together these give rise to the cross, the son or third logos. If this logos becomes active, as with the awakening capacity for thought through the incarnation of the higher self, then this cross begins to turn. The turning of the cross produces the swastika, a symbol found in many religions. Quite a number of terracotta discs were found under the ruins of ancient Troy that contained this symbol in two forms:  Svastika1 and Svastika2. Again, Pramantha, the Vedic divine carpenter, unites himself with Arani, nature or Maya (illusion). They produce the divine boy Agni, god of fire. In the Bible too, Joseph is a carpenter, a master builder, and Mary is very reminiscent of Maya. Their child is mankind, with the fire of self-aware thought bestowed by the Holy Spirit. The son of the creator nailed to the cross – is he not a symbol of this process that speaks the same clear language as the legend of Prometheus, spirit chained to the cross of matter? The Crucified Titan is the personified symbol of the collective Logos, the ‘Host’, and of the ‘Lords of Wisdom’ or the heavenly man, who incarnated in Humanity.

We are also told that the suffering of Prometheus – the “one who foresees” – will end. He who has sacrificed himself for mankind is redeemed out of pity by the demigod Hercules, a son of Zeus, despite the fact that he may not take off the indestructible chains (karma). Still, the vulture – our base nature – will no longer come to eat the Titan’s liver. Human mental development, accelerated by the incarnation of the higher self, became unbalanced, with physical and moral development unable to keep pace. Once we regain our inner equilibrium, we will recognize our true destiny and nature, release the god chained within us, and as mankind conquer the darkness of ignorance.



Many religious traditions express the cyclic initiation associated with the vernal equinox as a descent into the underworld. Jesus, for example, is said to have spent three days in Hell at this time. A similar story concerns the journey of the Norse god Hermod, son of Odin, through the black mists of Niflheim into the underworld. His brother Balder, the sun god, had been slain with a twig of mistletoe by the blind god Hoder, guided by Loki, and Hermod undertook to free him from the realm of Hel, Loki’s daughter.

On his journey Hermod rode nine nights astride his father’s remarkable eight-legged horse, Sleipnir, through the inky darkness of a deep valley that bordered the frigid region of Hel’s domain. As he crossed the mighty river Gjoll, he was confronted by the warden of the bridge, who knew immediately that Hermod belonged among the living. But, determined of purpose, he passed her and rode without pause to the massive gates leading to Hel’s hall.

Because he was still alive, Hermod could not open the gates or penetrate the hall’s icy walls. Refusing to give up, he spurred Sleipnir toward the gates and with a mighty leap he bounded over. Passing the horrible shore of corpses, Hermod dismounted at Hel’s doors and walked boldly into the huge hall. Thousands of faces, millions of eyes, stared at him — he knew these to be the despairing dead trapped within the hall of the underworld. He soon saw his fair brother sitting quietly on a high seat at one end of the fog-filled room.

Hermod waited patiently in silence all night until at last Hel herself entered the room to greet him. Half of Hel’s face and body were those of a living woman, but her other half was that of a putrid, moldering corpse. Hermod told her that all Asgard mourned for his unfortunate brother, and asked if she would agree to let Balder return with him. She slowly replied that she did not agree that Balder was missed by all, and offered Hermod a test: “If everything in the nine worlds, dead and alive, weeps for Balder,” she promised with a sly smile, “let him return to Asgard. But if even one thing demurs, Balder must remain in Niflheim.”

Hermod rode without rest back to the heavenly Asgard, and word of the promise of Loki’s daughter went quickly to all the nine worlds. Soon everything was weeping. As messengers from Asgard were returning, convinced of the success of their mission, they came across a giantess sitting by herself in a cave. She alone refused to weep for Balder: “I have no use for him,” she answered to all their pleas. “Let Hel hold what she has.” Thus Balder was destined to remain with Hel. On hearing this despairing news, the gods knew that the giantess was none other than the shape-changer, Loki.

The tale of the slaying of Balder is typical of “dying gods” such as Tammuz, Adonis, Attis, and Osiris. It is the story of a divine one descending into a lower plane or sphere of existence. Many of these gods return again, resurrected like the vegetation in the spring. But some, like Balder, remain in the lower realms, to return to their rightful place only after “everything in the nine worlds, dead and alive, weeps.”

In Buddhism such a one is called a bodhisattva, and the underworld is this very earth. However, a bodhisattva is not a god, but a spiritually enlightened human being. Just as some gods descend into the underworld, so some enlightened ones, from time to time, are said to descend into material manifestation to be born into our world to keep truth alive among mankind and to help all living beings in whatever way they can. The true bodhisattva takes a solemn vow to incarnate in the world as long as even a single being needs his help.