Production of the Schizoid, End of Capitalism and Laruelle’s Radical Immanence. Note Quote Didactics.


These are eclectics of the production, eclectics of the repetition, eclectics of the difference, where the fecundity of the novelty would either spring forth, or be weeded out. There is ‘schizoproduction’ prevalent in the world. This axiomatic schizoproduction is not a speech act, but discursive, in the sense that it constrains how meaning is distilled from relations, without the need for signifying, linguistic acts. Schizoproduction performs the relation. The bare minimum of schizoproduction is the gesture of transcending thought: namely, what François Laruelle calls a ‘decision’. Decision is differential, but it does not have to signify. It is the capacity to produce distinction and separation, in the most minimal, axiomatic form. Schizoproduction is capitalism turned into immanent capitalism, through a gesture of thought – sufficient thought. It is where capitalism has become a philosophy of life, in that it has a firm belief within a sufficient thought, whatever it comes in contact with. It is an expression of the real, the radical immanence as a transcending arrangement. It is a collective articulation bound up with intricate relations and management of carnal, affective, and discursive matter. The present form of capitalism is based on relationships, collaborations, and processuality, and in this is altogether different from the industrial period of modernism in the sense of subjectivity, production, governance, biopolitics and so on. In both cases, the life of a subject is valuable, since it is a substratum of potentiality and capacity, creativity and innovation; and in both cases, a subject is produced with physical, mental, cognitive and affective capacities compatible with each arrangement. Artistic practice is aligned with a shift from modern liberalism to the neoliberal dynamic position of the free agent.

Such attributes have thus become so obvious that the concepts of ‘competence’, ‘trust’ or ‘interest’ are taken as given facts, instead of perceiving them as functions within an arrangement. It is not that neoliberal management has leveraged the world from its joints, but that it is rather capitalism as philosophy, which has produced this world, where neoliberalism is just a part of the philosophy. Therefore, the thought of the end of capitalism will always be speculative, since we may regard the world without capitalism in the same way as we may regard the world-not-for-humans, which may be a speculative one, also. From its inception, capitalism paved a one-way path to annihilation, predicated as it was on unmitigated growth, the extraction of finite resources, the exaltation of individualism over communal ties, and the maximization of profit at the expense of the environment and society. The capitalist world was, as Thurston Clarke described so bleakly, ”dominated by the concerns of trade and Realpolitik rather than by human rights and spreading democracy”; it was a ”civilization influenced by the impersonal, bottom-line values of the corporations.” Capitalist industrial civilization was built on burning the organic remains of ancient organisms, but at the cost of destroying the stable climatic conditions which supported its very construction. The thirst for fossil fuels by our globalized, high-energy economy spurred increased technological development to extract the more difficult-to-reach reserves, but this frantic grasp for what was left only served to hasten the malignant transformation of Earth into an alien world. The ruling class tried to hold things together for as long as they could by printing money, propping up markets, militarizing domestic law enforcement, and orchestrating thinly veiled resource wars in the name of fighting terrorism, but the crisis of capitalism was intertwined with the ecological crisis and could never be solved by those whose jobs and social standing depended on protecting the status quo. All the corporate PR, greenwashing, political promises, cultural myths, and anthropocentrism could not hide the harsh Malthusian reality of ecological overshoot. As crime sky-rocketed and social unrest boiled over into rioting and looting, the elite retreated behind walled fortresses secured by armed guards, but the great unwinding of industrial civilization was already well underway. This evil genie was never going back in the bottle. And thats speculative too, or not really is a nuance to be fought hard on.

The immanence of capitalism is a transcending immanence: a system, which produces a world as an arrangement, through a capitalist form of thought—the philosophy of capitalism—which is a philosophy of sufficient reason in which economy is the determination in the last instance, and not the real. We need to specifically regard that this world is not real. The world is a process, a “geopolitical fiction”. Aside from this reason, there is an unthinkable world that is not for humans. It is not the world in itself, noumena, nor is it nature, bios, but rather it is the world indifferent to and foreclosed from human thought, a foreclosed and radical immanence – the real – which is not open nor will ever be opening itself for human thought. It will forever remain void and unilaterally indifferent. The radical immanence of the real is not an exception – analogous to the miracle in theology – but rather, it is an advent of the unprecedented unknown, where the lonely hour of last instance never comes. This radical immanence does not confer with ‘the new’ or with ‘the same’ and does not transcend through thought. It is matter in absolute movement, into which philosophy or oikonomia incorporates conditions, concepts, and operations. Now, a shift in thought is possible where the determination in the last instance would no longer be economy but rather a radical immanence of the real, as philosopher François Laruelle has argued. What is given, what is radically immanent in and as philosophy, is the mode of transcendental knowledge in which it operates. To know this mode of knowledge, to know it without entering into its circle, is to practice a science of the transcendental, the “transcendental science” of non-philosophy. This science is of the transcendental, but according to Laruelle, it must also itself be transcendental – it must be a global theory of the given-ness of the real. A non- philosophical transcendental is required if philosophy as a whole, including its transcendental structure, is to be received and known as it is. François Laruelle radicalises the Marxist term of determined-in-the-last-instance reworked by Louis Althusser, for whom the last instance as a dominating force was the economy. For Laruelle, the determination-in-the-last-instance is the Real and that “everything philosophy claims to master is in-the-last-instance thinkable from the One-Real”. For Althusser, referring to Engels, the economy is the ‘determination in the last instance’ in the long run, but only concerning the other determinations by the superstructures such as traditions. Following this, the “lonely hour of the ‘last instance’ never comes”.


Topological Drifts in Deleuze. Note Quote.

Brion Gysin: How do you get in… get into these paintings?

William Burroughs: Usually I get in by a port of entry, as I call it. It is often a face through whose eyes the picture opens into a landscape and I go literally right through that eye into that landscape. Sometimes it is rather like an archway… a number of little details or a special spot of colours makes the port of entry and then the entire picture will suddenly become a three-dimensional frieze in plaster or jade or some other precious material.

The word fornix means “an archway” or “vault” (in Rome, prostitutes could be solicited there). More directly, fornicatio means “done in the archway”; thus a euphemism for prostitution.

Diagrammatic praxis proposes a contractual (push, pull) approach in which the movement between abstract machine, biogram (embodied, inflected diagram), formal diagram (drawing of, drawing off) and artaffect (realized thing) is topologically immanent. It imagines the practice of writing, of this writing, interleaved with the mapping processes with which it folds and unfolds – forming, deforming and reforming both processes. The relations of non-relations that power the diagram, the thought intensities that resonate between fragments, between content ad expression, the seeable and the sayable, the discursive and the non-discursive, mark entry points; portals of entry through which all points of the diagram pass – push, pull, fold, unfold – without the designation of arrival and departure, without the input/output connotations of a black boxed confection. Ports, as focal points of passage, attract lines of resistance or lines of flight through which the diagram may become both an effectuating concrete assemblage (thing) and remain outside the stratified zone of the audiovisual. It’s as if the port itself is a bifurcating point, a figural inflected archway. The port, as a bifurcation point of resistance (contra black box), modulates and changes the unstable, turbulent interplay between pure Matter and pure Function of the abstract machine. These ports are marked out, localized, situated, by the continuous movement of power-relations:

These power-relations … simultaneously local, unstable and diffuse, do not emanate from a central point or unique locus of sovereignty, but at each moment move from one point to another in a field of forces, marking inflections, resistances, twists and turns when one changes direction or retraces one’s steps… (Gilles Deleuze, Sean Hand-Foucault)

An inflection point, marked out by the diagram, is not a symmetrical form but the difference between concavity and convexity, a pure temporality, a “true atom of form, the true object of geography.” (Bernard Cache)


Figure: Left: A bifurcating event presented figurally as an archway, a port of entry through order and chaos. Right: Event/entry with inflexion points, points of suspension, of pure temporality, that gives a form “of an absolute exteriority that is not even the exteriority of any given interiority, but which arise from that most interior place that can be perceived or even conceived […] that of which the perceiving itself is radically temporal or transitory”. The passing through of passage.

Cache’s absolute exteriority is equivalent to Deleuze’s description of the Outside “more distant than any exterior […] ‘twisted’, folded and doubled by an Inside that is deeper than any interior, and alone creates the possibility of the derived relation between the interior and the exterior”. This folded and doubled interior is diagrammed by Deleuze in the folds chapter of Foucault.

Thinking does not depend on a beautiful interiority that reunites the visible ad articulable elements, but is carried under the intrusion of an outside that eats into the interval and forces or dismembers the internal […] when there are only environments and whatever lies betwen them, when words and things are opened up by the environment without ever coinciding, there is a liberation of forces which come from the outside and exist only in a mixed up state of agitation, modification and mutation. In truth they are dice throws, for thinking involves throwing the dice. If the outside, farther away than any external world, is also closer than any internal world, is this not a sign that thought affects itself, by revealing the outside to be its own unthought element?

“It cannot discover the unthought […] without immediately bringing the unthought nearer to itself – or even, perhaps, without pushing it farther away, and in any case without causing man’s own being to undergo a change by the very fact, since it is deployed in the distance between them” (Gilles Deleuze, Sean Hand-Foucault)


Figure: Left: a simulation of Deleuze’s central marking in his diagram of the Foucaultian diagram. This is the line of the Outside as Fold. Right: To best express the relations of diagrammatic praxis between content and expression (theory and practice) the Fold figure needs to be drawn as a double Fold (“twice twice” as Massumi might say) – a folded möbius strip. Here the superinflections between inside/outside and content/expression provide transversal vectors.

A topology or topological becoming-shapeshift retains its connectivity, its interconnectedness to preserve its autonomy as a singularity. All the points of all its matter reshape as difference in itself. A topology does not resemble itself. The möbius strip and the infamous torus-to-coffe cup are examples of 2d and 3d topologies. technically a topological surface is totalized, it can not comprise fragments cut or glued to produce a whole. Its change is continuous. It is not cut-copy-pasted. But the cut and its interval are requisite to an emergent new.

For Deleuze, the essence of meaning, the essence of essence, is best expressed in two infinitives; ‘to cut ” and “to die” […] Definite tenses keeping company in time. In the slash between their future and their past: “to cut” as always timeless and alone (Massumi).

Add the individuating “to shift” to the infinitives that reside in the timeless zone of indetermination of future-past. Given the paradigm of the topological-becoming, how might we address writing in the age of copy-paste and hypertext? The seamless and the stitched? As potential is it diagram? A linguistic multiplicity whose virtual immanence is the metalanguage potentiality between the phonemes that gives rise to all language?


An overview diagram of diagrammatic praxis based on Deleuze’s diagram of the Foucaultian model shown below. The main modification is to the representation of the Fold. In the top figure, the Fold or zone of subjectification becomes a double-folded möbius strip.

Four folds of subjectification:

1. material part of ourselves which is to be surrounded and folded

2. the fold of the relation between forces always according to a particular rule that the relation between forces is bent back in order to become a relation to oneself (rule ; natural, divine, rational, aesthetic, etc)

3. fold of knowledge constitutes the relation of truth to our being and our being to truth which will serve as the formal condition for any kind of knowledge

4. the fold of the outside itself is the ultimate fold: an ‘interiority of expectation’ from which the subject, in different ways, hopes for immortality, eternity, salvation, freedom or death or detachment.